I’m back from the comic shop this week and I got twelve new comics plus a TPB.
Check them all out here:
I’m back from the comic shop this week and I got twelve new comics plus a TPB.
Check them all out here:
Combining things. That’s what I’ve been doing this week. I’ve been combining my monster face drawings with my “On the Rough” drawings to make “Monster a Day” drawings. Or taking bits for each. It all kinda blurs together. Y’see about a month ago I bought some new colored acrylic ink. That’s something I’ve never used very much. I have a small bottle of light blue acrylic ink that I’ve messed with a little but not often. I even think it’s a bit separated and dried out. Ink shouldn’t be chunky.
With my monster faces I use black India ink and colored markers. With my “On the Rough” drawings I use black ink and either some color pigmented inks or watercolor. I use the inks if I want bright color and the watercolor for more muted palette. The new acrylic inks are similar to both of my previous choices but have a bit more of a pigment load. That makes them more opaque. But not gouache opaque.
The first problem I had with the new inks, well maybe the only problem, was that I bought six once bottles of them. Most ink bottles that I work with and out of are one or two ounces. That’s small enough to keep on the desk, dip into, and not spill. I’ve got no place to keep and work out of a six ounce bottle let alone three of them. And they’re tall rather than wide. That makes for spilling. Rubbermaid to the rescue. I got these four ounce square-ish containers that are also airtight. I could drop an ounce or two of ink in them, work out of them easily with a brush, and then put them away so they won’t dry out. It took me a few weeks of the new ink bottles sitting around to figure that out though. In my defense I was busy with other things.
At first I just wanted to use the inks for my “On the Rough” drawings. I was just gonna make a few more. But for some reason I decided that I wanted to draw four monsters. So I grabbed four sheets of my rough five by seven inch watercolor paper, my old and battered brush that I use for dry brushing, and started on the monsters. I do all four of the black ink drawings before starting the color.
When using watercolor I have five colors pre-mixed and ready to go in larger Rubbermaid containers. When using the pigmented inks I have a set of twelve of them. In small bottles. Many more choices. With the new acrylic inks I only bought three colors. Red, yellow, and blue. The three primaries with which you can mix all the other colors. Except I don’t mix colors when I do these type drawings. At least not in a separate container.
The pigmented inks and watercolors are transparent color. That means I can layer them on top of each other to mix colors. I put down some blue, let it dry, put down some yellow, and then I’ve got green. I also sometimes put down some water on the paper and then paint so that I start with a real light layer of color. The water dilutes the paint. The first thing I noticed was that the new acrylic inks were very dense with pigment and color. They were not as transparent as what I was used to. It took a bit of trial and error but I eventually learned to put down a lot more water than I usually do. This worked but slowed the process down as all that water took time to dry. In then end it worked out okay. I like the drawings, They get a bit muddier with all that pigment than I’m used to but I got some nice color out of them. Plus monsters are supposed to be dark.
After that I wanted to draw more monsters. But I didn’t want to use the six by nine inch paper and marker that I normally use. I wanted the rough five by seven watercolor paper and ink. But I didn’t want them in color either. Just black and white. Time to combine.
I’m an odd bird when it comes to making my art. Plus I’m methodical. That means method is very important to me. Method is how I get things done. Naming what I’m doing is part of the method and the distinction between things helps me get stuff done. So these new monster drawing couldn’t be “On the Rough” drawings. They also couldn’t be my other individually named monster face drawings. So they became “Monster a Day” drawings. The four I did in color even became that. They didn’t quite fit in with “On the Rough” so they became “Monster a Day” numbers one through four. They don’t quite fit in there either but oh, well.
I’ve even managed to get one a day done just like the name. I think I may have done a couple a day some days but I’ve got fourteen in total. They’re fun to do and I post them on my Instagram to show them off a little. I also found another way to use the new acrylic inks. I grabbed my red ink and used it just as I’d use the black ink to draw a monster face. That red ink is dense too. There was almost no difference between using the red and the black. But in the end the monster was too red. Too bright. So I went back in with my black ink right over top of the red. It was dense enough to cover the red when I needed it to but the dry brush technique let a lot of the red show though in the end. I like the way it came out and am going to have to try it with the blue and the yellow.
Meanwhile I even decided to make a video of me drawing one of the “Monster a Day” drawings. Most of my spontaneous live drawing videos are ten to fifteen minutes long and I thought I could get a monster drawing done in that about of time. I’m not even sure how long they usually take me but I bet it’s no more than half an hour on the outside. The red and black one probably took the longest since I basically drew it twice but the black went a lot faster than the red because there was already a drawing there. Turned out to be no problem getting a drawing done in about ten minutes. It wasn’t my best one but with this method of spontaneous drawing some of them are going to be better than others. Either way the video has some nice dry brushing sounds.
I’m back from the comic shop this week and I got eight new comics.
Check them all out here:
I’m back from the comic shop this week and I got six new comics.
Check them all out here:
What’s on my mind this week? How about my favorite TV shows where nothing ever happens. I’ve written about some of these shows before but thought I’d give them another look to see if anything has changed. This is a genre full of reality “Documentary” shows. When I’m by myself and working on my art I often like to put something on to keep me company. It can’t be something that compels me to watch it or I won’t get any work done. So usually it’s something I can mostly listen too. I’m a fan of history and a fan of documentaries so I put on a lot of those. But there seems to be fewer and fewer actual documentaries on and more and more of those supernatural or mystery documentary style reality shows. They’re not really documenting anything but whatever the hosts are doing in the show. I also call them “Good shows to nap to” and I have napped to them because I can fall asleep and not miss anything.
First on the list is “Finding Bigfoot”. They’re on season six with this show and they still haven’t found Bigfoot. That’ll tell you right there that there is nothing going on. Well not really nothing. The four hosts go out into the woods in various parts of the world and scream and howl in an attempt to find Bigfoot. There are three Bigfoot believers and one sceptic. I gotta figure that’s about the ration you’d need to go hunting for Bigfoot because any more skeptics on the team and they probably wouldn’t even bother. I laugh at the show all the time when they tell us all about “Typical Bigfoot behavior”. They can’t even find one but they know all about its behavior. Cracks me up every time. At least “Finding Bigfoot” is fairly entertaining. They’re mostly out in the woods having a good time.
Next up is “Curse of Oak Island”. This one is in its second season and I think it has ten or so episodes a season. Oak Island is home of “The Money Pit”. That’s a place where supposedly someone at some time in the past buried a secret treasure. It’s the Arc of the Covenant, the Holy Grail, the Crown Jewels of Scotland, Shakespeare’s secret manuscripts, or your basic pirate’s treasure. It could be anything. The problem is the no one has ever found treasure on Oak Island. The whole thing is probably just a myth but that hasn’t stopped people from digging there. Lots of people over the last hundred years have dug there to no avail. So much of the island has been dug up that no one is even sure where the original spot the treasure was supposed to be is. This show is all about the current people who are digging on the island. So far after twenty episodes or so they have found no treasure. They have found a couple of small things like an old Spanish coin of the wrong age (there have been people on the island for hundreds of years) and some old wood but it had lead them no where. I think they’d have more fun looking for Bigfoot.
“America Unearthed” in another of my background shows. This one can occasionally have some actual interesting history in it though. It stars a forensic geologist who travels around the USA looking for bits of history that have gone unreported. Y’know, the Knights Templar and such came to the US and know one really knows about it but they left evidence behind. They’re on season three with this one with about ten shows a season. Sometimes the show is interesting and sometimes ridiculous. It’s more evidence based than the first two shows but sometimes it goes out into speculation-ville and never comes back.
I’ve tried out a couple of new background TV shows recently and they’ve been a little lacking. The first is “Finding Giants”. It’s in it’s first season and is all about a couple of brothers who have decided to hunt down the legends of giants and prove they are real. Yes, they believe that a race of really big humans existed in the US and there is evidence of them. They track down a bunch of old newspaper articles and go to the places they were written about. That is a really thin premise. There is not much going on in this show at all so it’s mostly the same thing over and over. Hey, let’s track down this lead. Wait we found nothing. Oh well.
There was another show that I had on in the background for a bunch of episodes but it was too insipid for my taste. I can’t even remember its name since I don’t have any of the episodes hanging around. It was “Hidden History” or some such. There are a lot of shows with similar names so who knows which one it was. But it was one of those kinds that deals with three or four different mystery stories in an hour. At least the shows I mentioned have to construct some kind of story for their hour but this one just hits the highlights of “The Shroud of Turin”, “The Holy Grail”, or some other mystery. It’s the fluffiest of the fluff shows and even as background made me turn it off.
One of the type of shows that I don’t like and never have on in the background are those ghost hunting shows. They always turned me off and I only recently was able to suss out why. I blame it on bad storytelling. There are two different type of ghost hunting shows. Type one has a person sitting there and telling you their ghost story that is reenacted by the show. Problem is that usually the person is just an average person and not a good storyteller. So they’re telling you a boring story and then showing it to you. Yawn. The other type is ghost hunters going into some old building late at night and filming dust particles. At least with “Finding Bigfoot” you get nice locations. But with ghost hunting the locations are all the same. Dark rooms.
So there are some of this years background shows for you. Oh yeah, and I’m still watching a ton of YouTube comic book haul videos. Those are always good.
I’m back from the comic shop this week and I got eleven new comics.
Check them all out here:
I’ve written before about my reading habits but it seems I’ve developed a new one that’s been working for me. At least where it comes to the many collected editions of comic books that I have on my shelves. For a few years there, about 2008-2011, I was mainly buying collected editions rather than monthly comics. There weren’t enough monthly comics that I was interested in. But then I started searching out more monthlies and Image Comics in particular started publishing a lot more comics I was interested in. So for the last three years it’s been mostly single issues for me. That’s good because I like single issues.
As much as I like a well made hard cover book of comics I prefer reading my comics monthly. I’m not much of a binge consumer of anything. I don’t sit down and watch many episodes of TV shows or movies in a row. I prefer one episode a night if I have a lot of one particular show to watch. Binging gets boring for me. I can’t sit still that long. I also like the wait between episodes and I enjoy variety. So I prefer having a stack of ten different comics to read rather than ten issues of one comic.
I’ve got my monthly comics reading habit down pat now. I’ve got it to the point where I read all my new comics twice. I’ve found the key to that is to leave them out and available for a few weeks rather than file them away. So I buy them, put them on the end table next to my reading chair, read one, and then put the read copy on top of my inkjet printer. That way the already read copies are still in front of me. I can easily glance at them, thumb through them, or give them a second read before filing them away. Being on top of my printer they’re also kind of in the way which encourages me to read them again in a timely manner. It’s a weird little habit but it works. I get more enjoyment out of my comics reading them twice. Plus a lot of modern comics read really fast so it’s not much trouble to read them again. But that leaves my collected editions out of the loop.
As I wrote before I don’t buy a ton of collected editions anymore but I still get some of them. I have a wish list of stuff on Amazon that my family buys off of at Christmas and my birthday so I get them for presents. Plus I often see good deals online and pick up a book or two here and there or want to try out something new from my local comic shop. The problem is that I wasn’t always reading them after I got them.
Back when I was mostly buying collections my reading habits were simple. Pick out a collection to read and then keep it out until I read it. Repeat. The problem I ran into with that is many of the collections I bought really weren’t meant to be binge read. And I don’t like binge reading anyway. A lot of the collections I bought were of old genre comics. I got a lot of the Atlas Era Marvel Masterworks books for example. I like them a lot and find them interesting but they are mostly made up of eight page stories from the 1950s. It’s tough to read thirty or forty such stories on the same subject in a row. They just weren’t made to be read like that. So I just sort of stopped reading them. I was still buying some of them but they languished as I read my now healthy supply of monthly comics.
Cut to this Christmas. I got a few new collections as presents plus the last week of the year is a slow one for new comics. I read all my monthly comics and even read them all twice and cleared them off the top of my printer. So I grabbed one of my new collected editions and gave it a read. As I wrote before I’m not a binge reader so I only read one issue of “Glory: The Complete Saga” and then put it down. Later on I found myself wanting to read a comic but not “Glory” so I ended up reading nothing. After all “Glory” was the one that was out to be read.
After a couple of times of that I decided I needed a new reading habit. I had already read another book I had received for Christmas called “Shoplifter” but that was a graphic novel and not a collection. And it was short so that was not a problem. But I also had a pile of collections sitting on a footstool nearby. My Christmas books plus a few things I purchased recently and left out to read. Turns out I never read them and they just got more stuff stacked on them.
Next time I wanted something to read I grabbed a “Serenity” collected edition, which had been sitting around for a month, and read an issue from that. After that I grabbed a collection of Richard Corben “Creepy” stories which had been sitting around for two years. After that “Winterworld” which I bought a few weeks ago.
I stack all these collected editions in a new place. On my drafting chair. I have to find a better place but for now the chair is okay. It’s in my line of sight and I don’t sit on it a ton since I stand and work. I can easily grab a book off it to read. I finished up “Glory” and “Serenity” pretty quickly and have since added “Starstruck” and “Starman: Omnibus Volume 6” to the pile. Those are both books that have been on my shelf unread since 2011. That’s a crazy amount of time to not read a book but they are both huge volumes with three and five hundred pages in them and I was never in the mood to read ten issues of “Starman” in a row. Now I don’t have to.
With this new habit I’m enjoying reading my collected editions again. I’m especially liking the Richard Corben “Creepy” stories because this is more how they were meant to be read. Since there was usually one Corben drawn short story every monthly issue or so of “Creepy” they weren’t supposed to be read ten stories in a sitting. A sameness crept into them when I tried reading them that way and it was tough to pay attention to the details of any one story. Now that I’ve been reading them a story or two at a time and then moving on to something different I appreciate the Corben stories much more. They get my full concentration. I like when I can make my habits work for me and not against me.
I’m back from the comic shop this week and I got seven new comics.
Check them all out here:
Sometimes I get tired of the process. That’s my epiphany of the week but I’m pretty sure I’ve confronted the thought before. I just forget it as I get un-tired of the process or discover a new one. I also switch between a few different artistic mediums to keep from getting tired of one process or another but that doesn’t always work. Specifically I’m writing about my painting process today.
My usual painting process it make small ink drawings in my sketchbook, pick out one of these drawing, turn the small drawing into a more finished working drawing, make a color sketch of the drawing, transfer the drawing to canvas, and follow the color sketch to make the painting. I’ve made lots and lots of painting that way. I’ve got it down. But I haven’t made many in the last half a year or so. I’ve been working on other things.
About a month ago I even bought some new 18×24 in canvases. I only had one blank one left so I bought another half dozen to give myself something to jump start my process. I started a new painting and made it all the way through my process to the part where I transfer the drawing onto the canvas. Then I stopped. And the painting has sat there unfinished ever since then. I lost interest in it and didn’t know why.
Another size that I paint at is 8×10 inches. I started doing that about ten years ago just so I could work with a wider variety of images. Though they are smaller I can get more paintings done in the same amount of time as a large one. The process is the same for the small ones except for one thing. I usually do four small ones at the same time. It’s faster that way. I can se aside the one I was just working on to let it dry as I work on another. And of course I have to do four times the sketches and four times the color drawings.
I think it was the beginning of 2014 that I bought about two dozen 8×10 blank canvases. I’ve probably only used about four of them since then. I was never in the mood to work on any paintings of that type. I wanted to do some this week or work on the 18×24 one that I had in process but I couldn’t. I even made six new drawings for some new 8×10 canvases and though I liked the drawings I had no interest in making paintings out of them. Why? I’m not sure except that I think I’ve grown tired of the process.
This week I got an 8×10 painting done. All because I changed the process. I skipped most of it. I decided to not work from any previous sketches or drawings and draw something new right on the canvas. I used to draw straight on the canvas back in my student days. They were larger canvases back then. About four feet by three feet. I would usually have a figure in the painting that was drawn from either a live model or me in the mirror and then I would add in a whole bunch of other strange little elements. After the drawing was done the painting would begin.
Drawing on canvas isn’t an easy thing. Canvas is a rough surface. It’s actually canvas with gesso on it. Gesso is a white paint that seals the surface of the canvas. You can put layer after layer of gesso on canvas and then sand it down until it’s smooth but usually that’s only done by artists looking for a smooth portrait technique. For the rest of us the roughness of the canvas makes for a good surface for holding the paint. But that also makes for a tough surface to draw on.
Most of the time I draw with a soft pencil. I have a light touch and a hard pencil will make me bear down too much and gouge the paper. A soft pencil leaves a darker line that is also harder to erase. On canvas that line is really tough to erase. So I use my soft pencil and try not to get the lines too dark but that’s not easy. The rough canvas eats at the pencil like sandpaper. The graphite can really build up. Using an eraser can just spread the graphite around rather than erasing it.
I can remember one fellow classmate back in my college days particularly admiring my drawings on canvas because it’s a type of drawing that you never get to see. Because I was figuring out the drawing as I was going alone there was a lot of erasing to be done (students us the eraser a lot) and since nothing was erased very well it left a lot of ghosts in the drawing. It was like a little time machine. You could see the way I changed an arm or a leg three different times. You could track the way I moved one element or another around until I found the right spot. And then a couple of things might be in the correct place on the first try. I hadn’t thought about that before my fellow student pointed it out to me. He even suggested making a series of drawings on canvas but I never got around to it. I was learning to finish things after all.
So that’s what I did with the new 8×10 inch painting. I said to heck with my process, pulled a blank canvas off my shelf, and just drew straight on it. About an hour later I had the image of a half masked face that I could work with. I broke out my acrylics, some of which were in bad shape from neglect, and painted. No color sketches either. I played it by eye. It took me all day to finish the painting which isn’t so bad since I usually get four paintings done in three to four days. This morning as I was stumbling around trying to figure out what to do with an hour of free time I pulled another 8×10 canvas out and drew on it. I’ve got a drawing ready to go on it now and can’t wait to get back to it. That’s a much better process.
One final odd thing about process. The canvases I buy come shrink wrapped in plastic. The first one I grabbed was already unwrapped and there was some yellow paint or ink that I had put on it sometime before. I have no memory of it. I’m guessing that sometime this year I was trying to change my process and see how a thin layer of yellow in a gradient would look. Obviously I didn’t like it and put it back on the shelf. I’m glad this latest change in process worked better for me.
I’m back from the comic shop this week and I got three new comics.
(Bought for the Darwin Cooke cover)
Check them all out here: