Radiant Comics

I’ve written a little bit about the scary face drawings that I make once before but lately I’ve been making them a little differently. Previously I had been making them on six by nine inch smooth bristol board with pencil, ink, and colored marker. I wouldn’t pencil them out very much but I did give myself some rough guidelines to ink over. They were fun and I liked them but my making videos of me drawing has changed my monster face drawings too.

The videos that I’ve been making have all been of five by seven inch drawings. That seems to be the largest size I can draw at and still capture nearly the whole drawing on camera. I had been doing those drawings with various markers on smooth bristol board when I decided I wanted to make a scary face drawing and capture it on video. Since the videos were of short spontaneous drawings I wouldn’t be doing any penciling and would go straight to brush and ink. This also let me pick the “On the Rough” five by seven inch watercolor paper that I’ve been using for other ink and color watercolor drawings. I hadn’t been using that paper for scary face drawing before. I ended up really liking that paper for this purpose.

First off the paper is really really rough. Maybe even add another “Really”. I’ve found it impossible to draw on with anything but a brush. It takes pencil terribly so don’t even bother. Pen is even worse. But if you’re going for a messy ink look it’s good stuff. I even use one of my old worn out brushes. Most comic book inkers who use a brush uses a sable watercolor brush and that’s what I use too. Normally a good sable brush used with watercolors will last years and years but India ink destroys the bristles somehow. Or the glue that holds the bristles in. I forget which. Either way after anywhere from a few months to a few years use the tip of the brush stops holding together. Instead of the brush coming to a point it comes to a few points. Usually that’s when you’d throw the brush out but that’s also when it becomes good for making scary monster faces.

The first drawing I did is called “Fright Face”. I guess I went literal with the name because it was for a video. That was a new process for me and messed with my normal way of naming things by pulling unrelated names out of my head. With this one you can see one of the main characteristics of these scary face drawings. An open mouth with a lot of sharp teeth. The eyes are very deep on this one and the teeth are jagged and disorganized. I think I tried to put horns on the monster’s forehead but abandoned the idea and all but obliterated them. You can see how the brush tip splits into a few parallel lines as I use it. I do a lot of scrubbing with the brush too. This is nothing I’d normally do with a sable brush but it was wrecked anyway.

The second monster face drawing is called “Stick-a-link”. Now I’m back to my odd names. This one pushes the head up to the top of the page cutting off most of the top of the head so I gave him some horns on his chin. He also has nice, sharp, and almost symmetrical teeth. There is a whole lot of brush scrubbing on this one as the face nearly fades into the black of the background. I like the glossy black Sennelier ink for this task. It has a good presence that goes well with the white of the paper. And this paper is really white. It looks like a bright artificial white. A monstrous white that is not of this Earth. Makes for a nice monster face.

The third drawing is called “Dreamy Dude”. I just might like this one best. I dropped the face down on this one to give myself some room to draw horns or some such but that didn’t work out and they morphed into a second row of eyes. I like those eyes. They give the drawing an otherworldly totem pole feel. The face is also wider and has more substance than the last one so it makes for a different type of monster. I like to strive for variety. The many parallel lines from the brush strokes in this one also gives it a wooden totem pole feel. Though this one might be more creepy than scary.

The fourth drawing is one that I made a video for and told a story as I drew it. Turns out that’s a hard thing to do. I was making up the drawing as I went along as well as making up the story. Unwritten, unrehearsed, and unpracticed. It took a lot more concentration than I would have suspected. And a weird type of shifting concentration. From the drawing to the story and then back and forth between them. Quickly. As a result I think the drawing is a little more disjointed than the other three. I like that quality about it though. The lines aren’t so parallel anymore. Except for in a Y pattern starting in the middle of his forehead and extending down the bridge of his nose and onto his forehead in what might be horns. I think that’s what they started out as but not what they ended up being. This face is in a flatter plane of space and his features disappear in little bits and pieces rather than all at once into the background. Telling a story at the same time affected how I made this drawing.

So there you have four new recent drawings and two recent videos that are variations on one of my usual subjects. I must say that I like doing scary face drawings on this paper a lot. The paper is so white that one of my friends thought I was using white paint as well as black ink but I wasn’t. The white shines and the black disappears.

Editing video is as much of a time consuming task as I expected it to be. And by editing I mean that all I did was stick the bits of video together. No fancy dissolves of transitions. Just this piece of video next to that one. All told it took me about eight hours to edit a three minute and thirty second video. No wonder movies cost so much to make. I’m sure it will take less time as I learn more but it’ll still take a lot of time.

I’ve been wanting to do some sort of work in video for years. The problem has always been what to do. Movies and TV are a collaborative thing. They take a lot of people to make them and all I have is myself. No actors and no film crew. I though about making some sort of music video but I’m not a musician. That’s where the app Garage Band came in. I’m no musician but I’m good at patterns. I can use the various short loops of music that Garage Band provides to put together a song that’s not half bad. That takes a lot of time too but believe me it’s the only way I’ll ever be able to make a piece of music.

Having just learned Garage Band to make a ten minute song for one of my drawing videos I was all set to make a three and a half minute song to build a video around. And so I did. It ended up being a good choice to make the music first since I wasn’t filming a narrative of any kind I could build the visual coherency of the video around the music. That was my plan as I left the house for a day of shooting street photos in Manhattan in and around Bryant Park.

I like to shoot street photos. I like people living their everyday lives. I like capturing ephemeral moments that disappear instantly. Bryant Park is a good place to do that. There is a big wide open area in the center that’s full of sunlight and a shaded area all around the sides with chairs and tables to sit at. It affords more photo opportunities than most of the NYC parks I’ve been it. At least if you want to photograph people. Plus it’s near Times Square and the Midtown library with its famous lion statues so it attracts a lot of tourists and people in general who pass through.

As I was walking around the park and shooting my street photos I was trying to think of what video I wanted to shoot. Let me tell you I had nothing. No ideas. I like to shoot video and have shot plenty of it but never edited that video into a finished piece. This was a whole other ballgame. After a couple of hours I finally decided on shooting ten shots. Five stationary shots where I stand still and let the people on the street or in the park move around me and five shots where I move though the crowd. That’s not what I ended up doing but it was the notion that got me started.

I finished with about fifty pieces of video. It didn’t seem like that much at the time since each was only from thirty seconds to two minutes long but it surprised me how many pieces I had at the end of the day. Like I said I like shooting video and kept doing it as I thought about the shots that I wanted to get. It was fun.

Y’know what wasn’t as much fun? Looking at all that video. That’s where the time suck starts. I now have fifty files of short video and I have to watch them all to get an idea of what I want to do with them. At first I watched them cluelessly but I was sure some sort of idea would form in my head eventually. It was the only way I could go on. I sure was glad I had the song all ready to go because that gave me a direction to aim in. After not too long I got an eye for what I was doing and started to note the parts of the video that I wanted to use. Sometimes it amazes me when a plan starts to come together.

As I said before the song was the key. I was already used to working with music loops and piecing them together in patterns I liked so I did the same thing with the video. I picked little snippets of the video that I liked and made them came in and out with the starlings and ending of the music loops. I used static shoots with the quieter parts and faster moving shots as the music picked up. I played with the compositions of the videos and their directions of movement. I tried to keep things interesting.

Learning the two programs, iMovie and Garage Band, was generally easy but could be frustrating at times. Such as when I couldn’t import my song into iMovie. Why? I have no idea. Apple’s iLife programs are all supposed to work together but I guess they don’t. Even the internet had no good answer for me. I had to export my song to iTunes first where it consistently cut off the last ten seconds of the song? Why? Again I wave no idea but I had to add a useless piece of music at the end of the song, export it, and them cut off that piece of music in iMovie to get my whole song. Crazy.

I mostly dragged and dropped my video files and took short segments of them to build up my video. Nothing hard but I had to watch and listen to it over and over again to figure out what comes next. With the video clips I was using being from two to eight seconds long that makes for a lot of figuring in even a short video. But I got it done. And I have to say that feels pretty cool.

So as you may have noticed from my Saturday “Comics I Bought This Week” posts I started making some videos and posting them to my YouTube channel. They fall into two categories so far. The “Comic Book Haul” category and the “Me Drawing” category. I’ve been wanting to get started working in video for years but haven’t because I had no idea where I wanted to start. It was the “Comic Book Haul” videos that finally got me going.

I discovered “Comic Book Haul” videos on YouTube earlier this year. All they are is videos of people showing you what comic books that they bought lately. You get a little bit of info with each comic shown. Either why it is a key issue to get if the book is an older one or what the comic is about and why you like it if it’s a newer comic. There are also generally two styles of shooting these videos. One where you sees the person and he or she holds up the comic or one where the camera in on a tripod and pointed at the comic and not the person.

I decided to go with the one where the camera is pointed at the comics. I like to see the comic book covers in these videos and that way gives me the best look at them so I figured that was my best way to show them off. My videos are also about current comics. I don’t buy back issues very much. I’ve been buying new comics since the 1970s so if I want something I probably bought it off the stands when it originally came out. Or else I get it in a hard cover collection.

It’s pretty easy to make a “Comic Book Haul” video. I decided to shot it with my iPad and edit it in iMovie to make things easy for myself. I did buy an iPad tripod adaptor so that I can mount my iPad on my tripod and avoid hand holding the thing. I don’t do my videos in one long take as some do but it ends up being about the same thing. I stop and start the iPad after each comic in case I get interrupted or have no idea what to say. With the first few videos I really was having a hard time with what to say. I’m usually a good talker and don’t have a fear of public speaking but it’s weird to talk to no one but a camera. That takes some getting used to. I talk for about a minute each comic and end up with ten or so minutes of video. I open iMovie on the iPad, stick the videos together (it’s easy), and upload the final video to YouTube right from the iPad. It’s amazing how simple it is.

The next type of vide that I’ve been making is videos of me drawing. Once again it’s something that I’ve wanted to do for a while but couldn’t figure out how to. Most of my drawings take hours and hours to make and that’s really boring to watch. Plus it’s not easy to shoot. It’s tough to place the camera someplace where it can get a nice shot but is out of the way and doesn’t interfere with the drawing. Just shooting the “Comic Book Haul” videos got me started thinking about it though and coming up with something I could actually do.

A lot of my drawing starts with a Surrealist automatic drawing method. That’s where you clear your mind of any preconceived notion of what you want to draw and just start drawing. It takes some practice. I figured it was this part of my drawing that I could make a video of. After a little thought and trial and error I ended up using one of my small table top tripods to set my small pocket camera on. It ended up being right under my chin but I still could draw a bit with it there. I pulled out a five by seven inch piece of paper and framed it in the camera’s LCD. Then I turned the camera on, grabbed a marker, and started drawing.

The first drawing I made I tried to keep under six minutes. It was the first number that came to my head. It ended up being tough to do and came in at over seven minutes. After that I decided to make a ten minute time limit and that seems to be a better time. I think they all clocked in at under ten minutes. I found it a little tough to draw under such time pressure but I got used to it. They key is to get started and keep going. That might be the key to a lot of things in life.

The next thing I tried to to was tell a story as I was drawing. Since I was making a spontaneous drawing I thought I’d tell a spontaneous story too. Seemed like a fun idea. Boy was it a weird thing to try and pull off. First of all the story had nothing to do with what I was drawing. They were two separate things. I had to balance the part of my brain that was making up a drawing with the part of my brain that was making up a story. Or maybe I had to juggle them. Either way it was like nothing I had ever done before. It was fun but took a lot of concentration.

This whole video making thing has even made me pull out Garage Band. I wanted to make a video of me drawing a large drawing to music and I also wanted to make the music. I’m not a musician but I’m good with patterns so I can put loops together in Garage Band into a decent soundtrack. It’s not great music and, like everything, takes longer than you think it will but in the end I thought it was a song I could use. I’m happy with that.

I’ve only skimmed the surface so far with this video stuff but it’s cool to actually get something started. Stay tuned.

The Finished Painting

So the painting, “Stainless Sky”, that I wrote about last week when I was in the middle of making it has been finished. It took a while to complete but I got it done. The “Mid Process” piece that I wrote last week was written after a day of painting and it took two more days of painting to finish this one. A lot of those last two days was taken up by looking at the painting and wondering what to do next with it. What did I want? I wasn’t sure what I wanted most of the time I was working on it but by the end I figured it out. I was happy about that.

The first thing I notice on the finish piece is the swirls. They’ve changed quite a bit. On last week’s photo you can see three colors in the swirls: red, brown, and green. I added more layers of color before I was finished with those swirls. There were the toughest part to finish. I use swirls all the time but this go around I couldn’t figure out what I wanted from them. There are probably about six or seven colors in there counting the three original ones as I kept going darker and lighter with the color trying to suss it all out. It wasn’t until I put on the yellow paint and made the negative space on the inside of the swirl into a positive shape that I found my direction. Now the yellow shape is balanced well with the dark blue part of the swirl. I was missing that balance for a long time.

The purple and blue lines on either side of the painting in the swirl area serve to keep the eye contained on the painting. I find that on the “Half way through” painting my eyes tend to fly off the painting on either side of the swirls. Those lines work like a frame and make a painting within a painting.

I calmed the white and blue could areas of the painting down. In the half way through one the white is strong on the top and the blue strong on the bottom. Too strong I thought. Once again I wasn’t sure what I wanted to do with those areas so I started using little brush strokes of paint to tie in colors from the rest of the painting and get the blue and white to sit back and behave. It took a while. I have three different colors and brushstrokes sitting on top of the dark blue lines to knock them back. First it was the little green brush strokes, then later the yellow dots on top of the green, and finally even later still the orange lines in between. I like the way they snake along and tame the blue.

The orange has a couple of more layers than half way through. Plus it has some circular brush strokes in it now. I wanted the orange color to be built up a little more than when it started out. I wanted it to have some presence as paint. Sometimes if paint is put down too thin it doesn’t have enough oomph. I wanted some orange oomph so I put on two more coats of orange and put it down with heavy circular brush strokes. It doesn’t quite have the same impact as some of my oil painting textures but it did the job.

Getting the shapes and outlines right on those two towers took some time. They started out as just a couple of light to dark pinks on the inside with a darker outline but I knew that wouldn’t stand. The first thing I did was work the pink inside shape. I wanted to make that a positive space and not a negative space as defined by the outline. It was sitting behind the outline and I wanted it too sit on top of it. At lest that’s where I started. I then went in with a dark blue inner outline and a red outer outline and totally got rid of the original magenta outline. The transparent red plays nicely with the heavy orange and the dark blue helps define the shape. Then I put an orange line on top of one side of the blue line so it doesn’t define things too much. It took a while for me to get that balance the way I liked it.

The green ovals were a little easier. They almost finished themselves as I didn’t do much too then except keep them monochrome and sort of the same as the towers. My only big decision with them was if I should make them perfect circles or not. In my original drawings they were perfect circles so my instinct was to keep them that way but I decided against it. I’m not sure about it though. That’s the one part of the painting I look at and go, “Hmmmm…”.

The long orange brush strokes on the top and bottom keep the eye contained and unify the color. The brush strokes of color on the top and bottom of the painting and the swirl box almost painted themselves. They were put on at the end of the painting process and by them I had things figured out. They were like putting in the last few pieces of the puzzle. I had fewer choices by that time so they were easier to make.

The final thing I put on the painting was the word “Sleep”. It just came to me in a flash. That happens sometimes. I was looking at the painting for the millionth time trying to figure out what was next and decided it needed a word right in the space the word now occupies. And almost as fast I decided the word had to be “Sleep”. I wasn’t tired. I didn’t need a nap. It just came to me. I have no explanation for it but I like it. It took a bit of time to paint too. It looks simple enough but I laid that orange paint down thick and now had to paint some type over it. I couldn’t pencil in the type either. It was all paint on paint. I did figure out to use some masking tape to make straight guidelines for the top and bottom though. Then it was all putting the letter down and fixing mistake after mistake. But I got ‘er done.

Halfway Done With This Painting

I’m working on a painting today. An eighteen by twenty-four inch acrylic on canvas painting named “Stainless Sky”. I thought I’d stop working on it for a little while and write something about it because I don’t think I’ve written about one of my pieces mid-process. I’m not exactly sure what to write. It’s odd.

I’m having trouble writing about the painting because I’m having trouble making the painting. I’m not sure what I’m doing with it just yet. It’s an unusual one for me. It’s not what I’d call an abstract painting but there are no recognizable objects in it. I’d call it an unsubjected painting. There are shapes, swirls, and maybe some clouds in there but no real people and places. There are not even my usual unreal people and places. Weird.

Normally I plan my painting out first. It’s how I do things. I’m a methodical artist. Method is important to me. But this time I dove right in. Sure I had a sketch made but it was a simple sketch stripped of all the usual details of people and places that I put into such things. I liked the sketch but I wasn’t exactly sure what it was. I also usually work out the basic color scheme before I start painting. Often the color ends up changing by the end of the painting but with this one I’ve been picking the colors as I go along. That means a lot more stopping and looking. Things go slower.

I decided to make this painting that way because I haven’t made a painting in a while. I wanted to dive in and get going. For most of this year so far I’ve been working on small drawings. I’ve been working in ink, marker, and watercolor but not in acrylic. I have made some big drawings on paper but that’s not the same as a big painting. I bought two canvases this size a couple of months ago and they’ve been sitting there ever since. I finally said, “Let’s go” and started painting on one even if it wasn’t by my usual method. Sometimes it’s more important to get started rather than waiting for the perfect start. Even so it took me half a week to actually start painting. Since the drawing was so simple it took me only a short while to transfer it to the canvas but then it sat there for days. Pencil on canvas doing nothing. It took me a further half a week to finally lay some paint down. These things aren’t always easy.

It’s also not easy because I haven’t picked up my acrylics in three months and don’t know which colors I have and don’t have. Sure I have a general idea but paint runs out and I forget. Plus I buy tubes of paint but then mix them in little plastic cups that seal. The paint stays wet in the little cups but it dries out eventually. At this point I don’t know what I’m going to get when I open up one of the little cups. Today it’s mostly been paint that’s not quite dried out and not quite wet. I’ve added water to some cups and cleaned others out entirely. That adds a little more time to the process.

I started the painting by drawing over my pencil line with a purple painted line. I often start my acrylic paintings this way but today I didn’t even want a purple line. I knew I was going to get rid of it but since I didn’t know what my colors were yet I put it down anyway. At this point I just obliterated the last of the purple line by painting a magenta line over it. Well, there is still some trace of the purple but you have to be looking for it.

The three main colors on this painting are blue, orange, and yellow. Or at least they are as I write this. I put the blue on the top and bottom first. I wanted to evoke the sky and so far have evoked both the sky and the sea. Though the original blue was a light blue it was too dark. I dropped some white on top of that to make some cotton candy type clouds. Then I made the clouds purple line into a dark blue line. I’m still not sure how I want them to look but that’s true of the whole painting.

Next I dropped the orange in. With the two pink and magenta tower shapes in front the orange takes on the location of a sky by with blue and white clouds up above and below it the space gets confused. If the orange was the sky it should sit back in space but so far it move forward. I like this kind of color defining space but haven’t come to a conclusion of how things should be just yet. I’m not sure what the orange is.

The yellow between the orange in the blue is filled with swirls but they don’t look finished. There is something missing as of now. I decided on swirls for that are early on and I was going to go with a lighter yellow to make the swirls but decided that there wan’t enough contrast and went with the two shades of brown instead. I think I’m going to have to work some more color into those swirls. Maybe I can use that lighter shade of yellow now. We’ll have to see.

I just noticed the last trace of my purple line is around those two small green circles. I haven’t gotten back to those green circles yet. The last thing I did was work on those pink tower shapes. They starred out a little too dark so I wart in with a lighter shade of pink. It looks better but they still need some thinking about.

That’s what’s different about this painting than my usual ones. Everything still needs some thinking about. Usually I do most of my thinking in the preliminary stages and by this stage I’m reacting to stuff but not thinking about what is it I want to do. Putting a lot of the work on the back end can make it harder to finish but it sure helped me get things started. And that is what I was looking for.